Canvassing for natural beauty

A program pairs landscape artists with Baltimore County property owners who have preserved their land and scenic views.

Gavin Brooks stands at her easel, waiting for the cows to come out of the shade.

Soon enough they do, but they're at her feet, sniffing her oil paints, apparently to see whether the tubes might taste good. And before she's finished mixing the colors for the tree-covered ridge across the meadow, a flock of chickens comes stampeding toward her.

She has to laugh. She wanted nature. She's got it.

The Towson artist is willing to travel across the country for these kinds of exchanges, for chickens and horses to sketch, for a view of an open field. But now she doesn't have to go far, because a program organized by an influential land preservation group puts her in touch with landowners in northern Baltimore 's County scenic valleys.

With the help of the Artists in the Valley program, she's painting on the 70 acres of woods and meadows in Greenspring that belong to Douglas Carroll III and his family, who have what every landscape artist needs: the landscape. Throughout the summer, the Valleys Planning Council matches artists with property owners in the Greenspring, Worthington , Western Run and Belfast valleys who have preserved their land and views.

"Conservation, land preservation and agriculture are closely related to art. They're all about preserving beauty," said Carroll, a member of the Valleys Planning Council's board who grows hay and keeps cows, chickens and goats on his Greenspring Road farm.

Monet might have had Giverny's water garden, orchards and flowers. Brooks and other local artists have the valleys' charming farmhouses, aging barns, untouched forests and sloping pastures.

Carrie Montague, a member of the Valleys Planning Council, started Artists in the Valley two summers ago, before she had taken her first painting class. But, she says, "What I wanted to do more than anything was share what the Valleys Planning Council does, preserving open spaces, and share that with people who might otherwise not have the opportunity."

The council has sponsored other public events, such as bicycle tours through the countryside, to showcase the area's preserved properties. "I thought artists would similarly appreciate the spaces we've preserved," Montague says.

Montague, who lives on 140 acres in Butler , sent letters to more than a hundred people with connections to art, from people who teach children to finger paint to Maryland Institute College of Art board members. She says she received enthusiastic responses from artists and landowners.

"It's beautiful, peaceful really, to see someone painting in your pasture," she says.

Teresa Moore, executive director of the Valleys Planning Council, says the organization now has more property owners willing to share their land than artists who realize they have the opportunity. Since the weather turned warm, the council has matched more than a dozen artists with landowners whose properties have been placed into preservation, Moore says.

"This is the celebration of the landscape we're all working to protect," Moore says.

With the owners' permission, some artists just slip quietly into a field and start painting, while others have received tours from farmers who want to show their favorite spots and what they love about the land, Moore says.

In September, the council is planning an exhibit, Art for Land's Sake, as a fund-raiser that will feature some of the works that are created this summer.

Carroll, who has had about five artists visit his property -- some of them frequently, says he has enjoyed seeing the works in progress. "All I see is what's falling down," he says. "They turn it into part of the painting, and I'm thinking, 'Is this my place? The roof isn't leaking.' "

Landscape artist Brooks still plans to work out West and along the New England coast. Her daughters, Cait and Charlotte, look forward to the monthlong painting trips in the summer, she says. But the Valleys program is giving her what she says she is always looking for: "views -- uninterrupted pasture."

Galleries in San Francisco, Cape Cod and Annapolis show Brooks' oil paintings in keeping with the style of such masters as Edgar Payne and John Singer Sargent. However, she says, it is sometimes hard to find places to paint outside the studio in her Riderwood house.

Not wanting to risk her life setting up along a road, Brooks is frustrated trying to find vistas to paint. "We have a lot of tract mansions going up," she says, adding how grateful she is to be able to slip out onto Carroll's meadow to paint all day.

"It wouldn't be the same if he got rid of his barns and chickens and put in a pool," Brooks says. "This is the good stuff."

Copyright � 2005, The Baltimore Sun 

Challenging national art scene, local tastes

09/03/03Towson Times
Story By Loni Ingraham  

Riderwood resident Kelly Gavin Brooks has earned national acclaim as an artist, highlighted with the inclusion of her work in a juried exhibition earlier this year in Taos, N.M.

She.paints every day either inside or outside her Riderwood home.

Lately, it's outside her home - an area that can extend from Long Green Pike, where people seeing her painting at the side of the road have offered her commissions, to Taos, N.M., where she has painted beside other

national artists.  Even though she is classically trained, "It's hard to get excited about painting a bowl of fruit in the studio, she says.  I will do anything to be outside.�

Painting has always been her passion and the reason she left the trading desk of Alex Brown 10 years ago. "To be a successful artist is so incredibly demanding," she says. "The more you learn, the more you find out there is to know"

Western artist Scott Christensen, a current influence, is one of the top landscape painters in the country, she says. Some of his works sell for over $40,000, still he films some of the world�s great paintings in black and white and studies them when he runs on the treadmill. �It's like being a concert pianist," she says. "It takes constant drive and diligence to be one of the greats."

And that is what Brooks, who paints under the name Gavin Brooks _ Gavin is her maiden name - aspires to be. She wants to be one of the top landscape painters in the United States.  To that end, she travels west, she says. There are people earning a living as painters in the west.  New York City may be the top art market, but the second, third and fourth, respectively, are Santa Fe, N.M.; Jackson Hole, Wyoming  and California.

"If you don't want to buy abstract painting and you want American realism, you collect there," she says. "The southwestern style now has expanded to become the cradle for the return of realism.

Brooks thinks nothing of piling her paints and her two daughters into the car and heading for Montana or Wyoming at the drop of a hat. "I get antsy living in an eastern forest. You just don't get the same sense of space and grandness."

"I have an incredibly supportive husband who knows this is something super-important to me," she says. "The girls and I camp out _ they love it."

As a child, Brooks was a fascinated with art. "But Baltimore doesn�t have a culture that cultivates it," she says. "It was not considered a viable talent that you could make a living from. I didn't even know any working artists growing up."

After graduating from Maryvale Preparatory School in Brooklandville, she majored in commercial art and design at Florida Atlantic College. But she didn't pursue an education in serious painting until she spent two years at the Schuler School of Fine Art in Baltimore and developed a passion for independent study, application and careful observation of the great American landscape. She's a former triathlete and ocean lifeguard now raising two daughters. She has been building a solid body of work over the last year.

Her painting "Golden Sycamores" was recently featured in the Oil Painters of America National Juried Exhibition 2003 in Taos. That's a coup for Brooks, since only 182 works were chosen from 2,000 entered.

"It is an intense competition among the top representational painters in the United States and Canada," she says.

She also has exhibited at galleries in Richmond and Alexandria, and along with several other artists will exhibit several paintings at The Bryn Mawr School in September. The reception for the exhibition has been scheduled for Friday, Sept. 5, 1:30-3 p.m., in the school's Centennial Hall. The exhibit will then continue during school hours (8 a.m.-4:30 p.m.) during September. The paintings are priced between $700 and $2,800.

 "Sometimes, being a working artist in Baltimore is like being an opera singer in Idaho," she says. When her daughters mention to friends that their mother is a landscape painter, they are often asked, "What does she do, paint fences ?

"It has been said of Baltimore that it's a print and map town," she says. "People don't buy a lot of original paintings here."

But through her work, and with a bit of local exposure, Kelly Gavin Brooks is hoping people will start thinking differently about the local art scene - and local artists.